Capabilities
  • Desktop Display
    • Brand Integrations
      Yes No
    • Sponsored Posts
      Yes No
    • Native Ads
      Yes No
    • High-Impact (Takeovers, Billboards, Overlays, Sliders, Skins)
      Yes No
    • Rich Media (Expandable & Non-Expandable)
      Yes No
  • Social
  • Mobile Display
    • Mobile Rich Media (Including Interstitials & Expandables)
      Yes No
    • Tablet Traffic
      Yes No
    • Native & Custom Mobile Executions
      Yes No
    • Requires SDK Integration
      Yes No
  • Email
  • Desktop Display, Social, Mobile Display, Email
  • CPM
  • Web Publisher
  • Headline:
    Dramabeans | Deconstructing korean dramas and kpop culture
  • Self / Managed Service:
    Managed Service
  • Industries
    Clothing & Fashion, Dating, Entertainment, Government & Politics, Healthcare
  • Targeting

    I love Korean dramas and I write about ‘em. (And write about ‘em. And write about ‘em. You may have noticed that brevity is not my friend. I want to be ITS friend, but it shuns me regularly.)

    I’ve been watching Korean dramas (on and off) as long as I can remember, for almost two decades. My first Korean drama was the 1992 hit Jealousy, and I’ve been hooked ever since. Man does that make me feel old.

    I started this site because I couldn’t find a site providing meaty (or any) analysis for K-dramas, a longtime guilty pleasure of mine. I enjoy marveling at the pretty as much as anyone, but also wanted to express appreciation for quality that didn’t automatically dismiss something for being popular. Or, on the flipside of that same coin, to discuss something popular that went beyond surface discussion of the plot or hot cast. (Although, let’s be honest! Hot cast = a nice bonus.)

    My underlying modus operandi: Just because it’s pop culture doesn’t mean discourse has to be shallow. I’d like to sustain a fun but hopefully substantive level of conversation, mixed with some irreverence. Because it’s not worth it if it’s no fun.

Site Traffic
  • 37384 Global Rank
  • 21038
    United States
  • 2.32 M Estimated Visits
Traffic Sources
  • Direct
    48.89%
  • Search
    48.64%
  • Social
    1.91%
  • Display
    0.24%
  • Referrals
    0.19%
  • Mail
    0.13%
Geography Breakdown
Powered by
Alexa Traffic Data
Global Rank 19,481
2,843
United States Rank 10,111
1,380
United States Page Views 41.4%
6.8%
Top Countries
Top Search Keywords
  • Opportunities
  • Partners Programs
  • Amazon Associates Program
Web Tags

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Ad Intelligence
  • Native
    2.90%
  • Standard
    97.04%
  • Direct
    0.06%
Ads Seen Recently
8,290
Longest Running Ad
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Ads.txt
Ad Exchange
Type
Publisher ID
Certification ID
viralize.com
direct
4601
lijit.com
reseller
215294-eb
fafdf38b16bf6b2b
freewheel.tv
reseller
962209
freewheel.tv
reseller
962145
freewheel.tv
reseller
1091985
freewheel.tv
reseller
1091969
freewheel.tv
reseller
1076769
freewheel.tv
reseller
1076753
freewheel.tv
reseller
1054161
freewheel.tv
reseller
1054097
aolcloud.net
reseller
4687
Dramabeans advertising reaches 2.32M visitors across desktop and mobile web, in countries such as United States, Canada, Singapore, Philippines, India. Pricing models they offer are CPM on channels such as Display, Social, Mobile, Email Advertising on Dramabeans will allow you to reach consumers in industries or verticals such as Clothing & Fashion, Dating, Entertainment, Government & Politics, Healthcare; you can target them with parameters such as: I love Korean dramas and I write about ‘em. (And write about ‘em. And write about ‘em. You may have noticed that brevity is not my friend. I want to be ITS friend, but it shuns me regularly.) I’ve been watching Korean dramas (on and off) as long as I can remember, for almost two decades. My first Korean drama was the 1992 hit Jealousy, and I’ve been hooked ever since. Man does that make me feel old. I started this site because I couldn’t find a site providing meaty (or any) analysis for K-dramas, a longtime guilty pleasure of mine. I enjoy marveling at the pretty as much as anyone, but also wanted to express appreciation for quality that didn’t automatically dismiss something for being popular. Or, on the flipside of that same coin, to discuss something popular that went beyond surface discussion of the plot or hot cast. (Although, let’s be honest! Hot cast = a nice bonus.) My underlying modus operandi: Just because it’s pop culture doesn’t mean discourse has to be shallow. I’d like to sustain a fun but hopefully substantive level of conversation, mixed with some irreverence. Because it’s not worth it if it’s no fun..

They are headquartered at West Hills, CA, United States, and have 1 advertising & marketing contacts listed on Kochava. According to their Ads.txt, Dramabeans inventory partners include: viralize.com, lijit.com, freewheel.tv, aolcloud.net, aol.com, tremorhub.com, spotxchange.com, spotx.tv, smartadserver.com, rubiconproject.com, richaudience.com, pubmatic.com, openx.com, onetag.com, nativeads.com, monarchads.com, lkqd.net, komoona.com, inner-active.com, indexexchange.com, increaserev.com234234, improvedigital.com, imonomy.com, google.com, e-planning.net, emxdgt.com, contextweb.com, baronsmedia.com, aralego.com, aps.amazon.com, appnexus.com, amxrtb.com, adyoulike.com, advertising.com, adtech.com, ad-generation.jp, 33across.com, sonobi.com, yahoo.com, conversantmedia.com, axonix.com, rhythmone.com, districtm.io, teads.tv, adingo.jp, advangelists.com, adform.com, betweendigital.com, ucfunnel.com, didna.io, ampliffy.com, synacor.com, sovrn.com, smaato.com, sekindo.com, pubnx.com, coxmt.com, x.fidelity-media.com, supply.colossusssp.com, lockerdome.com, bidtellect.com, gumgum.com, fyber.com, outbrain.com, yieldmo.com, video.unrulymedia.com, beachfront.com, springserve.com, undertone.com, yldbt.com, nextmillennium.io, themediagrid.com, telaria.com, eappnexus.com, taboola.com, brightcom.com, adpushup.com, my6sense.com, revcontent.com, criteo.com, nobid.io, media.net, consumable.com, lkqd.com, amazon.com, altitude-arena.com, aniview.com, facebook.com, triplelift.com, admaru.com, increaserev.com 234234.

Dramabeans works with Advertising technology companies such as Intent Media, ADTECH, Amazon Associates, Choice Stream, Brilig, Bizo, Drawbridge, Tapad, Facebook Exchange FBX, Chango, Brandscreen, ContextWeb, Adify, Openads/OpenX, SiteScout, Rocket Fuel, Resonate Insights, SpotXchange, Index Exchange, Dstillery, Simpli.fi, Adap.TV, Integral Ad Science, DemDex, PointRoll, YieldBot, Open AdStream, Upfront Digital Media, Peer39, Atlas, Pubmatic, AudienceScience, Yield Manager, Yahoo Publisher Network, DoubleClick.Net, Specific Media, eXelate, Collective Media, AppNexus, Evidon, DoubleVerify, Media Innovation Group, Videology, Neustar AdAdvisor, BlueKai, Aggregate Knowledge, Turn, X Plus One, BuySell Ads, BlogHer Advertising Network, Blog Ads, Google Adsense, BrightRoll, 247 Media, Real Media Group, The Trade Desk, Spongecell, Flashtalking, RadiumOne, Korrelate, Accuen, Experian, Datonics, Twitter Ads, Yahoo Small Business, VINDICO, Undertone, Connexity, Triggit, Zenovia, Jetpack Digital, 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