About

The Paris Review is a literary quarterly founded in 1953 by Harold L. Humes, Peter Matthiessen, andGeorge Plimpton. Plimpton edited the Review from its founding until his death in 2003. In its first five years, The Paris Review published works by Jack Kerouac, Philip Larkin, V. S. Naipaul, Philip Roth, Adrienne Rich, Italo Calvino, Samuel Beckett, Nadine Gordimer, Jean Genet, and Robert Bly. It has since become one of the world's leading outlets for emerging and established writers.

The Review's highly regarded "Writers at Work" series includes interviews with Ernest Hemingway, Truman Capote, Joan Didion, T. S. Eliot, Ralph Ellison, William Faulkner, Elizabeth Bishop and Vladimir Nabokov, and this series has been called "one of the single most persistent acts of cultural conservation in the history of the world."

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  • Key Differentiator
    Founded in Paris by Harold L. Humes, Peter Matthiessen, and George Plimpton in 1953, The Paris Review began with a simple editorial mission: “Dear reader,” William Styron wrote in a letter in the inaugural issue, “The Paris Review hopes to emphasize creative work—fiction and poetry—not to the exclusion of criticism, but with the aim in mind of merely removing criticism from the dominating place it holds in most literary magazines and putting it pretty much where it belongs, i.e., somewhere near the back of the book. I think The Paris Review should welcome these people into its pages: the good writers and good poets, the non-drumbeaters and non-axe-grinders. So long as they're good.” Decade after decade, the Review has introduced the important writers of the day. Adrienne Rich was first published in its pages, as were Philip Roth, V. S. Naipaul, T. Coraghessan Boyle, Mona Simpson, Edward P. Jones, and Rick Moody. Selections from Samuel Beckett’s novel Molloy appeared in the fifth issue, one of his first publications in English. The magazine was also among the first to recognize the work of Jack Kerouac, with the publication of his short story “The Mexican Girl,” in 1955. Other milestones of contemporary literature, now widely anthologized, also first made their appearance in The Paris Review: Italo Calvino’s Last Comes the Raven, Philip Roth’s Goodbye Columbus, Donald Barthelme’s Alice, Jim Carroll’s Basketball Diaries, Peter Matthiessen’s Far Tortuga, Jeffrey Eugenides’s Virgin Suicides, and Jonathan Franzen’s The Corrections. In addition to the focus on original creative work, the founding editors found another alternative to criticism—letting the authors talk about their work themselves. The Review’s Writers at Work interview series offers authors a rare opportunity to discuss their life and art at length; they have responded with some of the most revealing self-portraits in literature. Among the interviewees are William Faulkner, Vladimir Nabokov, Joan Didion, Seamus Heaney, Ian McEwan, and Lorrie Moore. In the words of one critic, it is “one of the single most persistent acts of cultural conservation in the history of the world.”
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Mobile App Data
MixRank is the most comprehensive database of mobile apps, developers, SDKs, technologies, services, and integrations. Learn more.
  • 10 SDKs
  • 64 Total reviews
  • App Url: https://itunes.apple.com/app/the-paris-review/id563187683
  • App Support: http://www.theparisreview.org/
  • Genre: Entertainment
  • Bundle ID: com.theparisreview.magazine
  • App Size: 233 M
  • Version: 1.5
  • Release Date: October 6th, 2012
  • Update Date: May 5th, 2015

Description:

Download the new app for The Paris Review and discover America's best loved and most influential literary magazine!

Features include:
• New issues in full
• Rare back issues
• New collections of archival material
• Our complete interview archive (FREE)
• The Paris Review Daily (FREE)

Founded by George Plimpton and friends in 1953, The Paris Review is America’s best loved and most influential literary magazine. In the early days, the Review discovered such writers as Philip Roth, Jack Kerouac, and Adrienne Rich. Later discoveries include Jim Carroll, Mona Simpson, Jeffrey Eugenides, Jay McInerney, Edward P. Jones, and David Foster Wallace, just to name a few.

Although the Review is known as a laboratory for new fiction and poetry, it is perhaps even more famous for its interview series: Writers at Work.

The Writers at Work series offers authors a rare opportunity to discuss their life and art at length; they have responded with some of the most revealing self-portraits in literature. Among the interviewees are Ernest Hemingway, William Faulkner, Dorothy Parker, James Baldwin, Vladimir Nabokov, Joan Didion, and Jonathan Franzen. As Dwight Garner recently wrote in The NY Times, the Writers at Work series is “one of the single most persistent acts of cultural conservation in the history of the world.”

We at the Review have long held the standard for the printed word in all its forms. Today, the magazine and the Web site introduce people not only to the best in contemporary prose and poetry, but to our rich literary archive. As we approach our sixtieth anniversary, we are pleased to offer more ways than ever to share what we do: now, with a Paris Review app. Available on tablets and smart phones, the app will make our content easily available both to long-term lovers of the magazine and to those who will now be able to access it for the first time.

The Paris Review offers a one-year, four-issue subscription for $29.99, automatically renewed until canceled. Subscribers will also get the current issue at the time of subscription.

SUBSCRIBER'S AUTOMATIC-RENEWAL FEATURE: Your subscription automatically renews unless auto-renew is turned off at least 24 hours prior to the end of the current period. Your iTunes account will automatically be charged at the same price for renewal within 24 hours prior to the end of the current twelve-month period unless you change your subscription preferences in iTunes. You can manage your subscriptions through your iTunes Account Settings after purchase.

Your feedback is much appreciated. Please contact us at support@theparisreview.org if you encounter any problems or have any suggestions for us.

Learn more about The Paris Review at http://www.theparisreview.org, or on Twitter (@parisreview) or Facebook (http://www.facebook.com/parisreview).

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richwoodson

Nov 04, 2016

Doesn't Work!

It worked for a long time but doesn't now. Please fix!

nathanieladam

Sep 18, 2016

Horrible App

Apple should not have allowed this app to be released. The digital version is a badly scanned copy of the print. It doesn't fit the page and your left always having to move the page up for the last few lines of the page. The app is a link to the website. I'd like a refund.

Neuroschizl

Jul 23, 2016

Terrible app, no instructions to retrieve content digitally

When I purchased a subscription, I received a confirmation email with a link to download this app, but no instructions on how to create an account (do I even need to?) or access content. More relevant here is that the app is buggy and slow.

GreeMC

May 18, 2016

Horrible, dismissive, disinterested support

Paris Review app support promises 48 hour turnaround... One month later and I have had no response. I have a print sub and, like the previous reviewer, was hoping to look at the issues digitally. In addition to contacting app support, I have called and emailed subscription services numerous times to no avail. Empty promises! I will not renew my subscription. Here's hoping the publishers wise up and get an app that works and support people who give a damn.

EdmGuy

Apr 16, 2016

Useless Support Services

I subscribed on the www website and that site stated to also download the Apple IOS app to see past issues as well as present ones. I sent 4 emails asking for a password for IOS and NO responses. So disappointed as I wanted IOS plus the mailed out Paris Review. Now going to cancel the Paris Review hard copy. The people behind Paris Review just don't care. Buyer Beware.

Xsfxgx

Apr 11, 2016

Awful

I took out a subscription but cannot actually get access to the current issue and got no help from Support. Complete waste of time and money - I've paid for something I can't read. I love The Paris Review but this is terrible.
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The Paris Review advertising reaches 707k visitors across desktop and mobile web, in countries such as United States, United Kingdom, Canada, Australia, India. Pricing models they offer are CPM on channels such as Display, Mobile, Email, Social Advertising on The Paris Review will allow you to reach consumers in industries or verticals such as .

They are headquartered at New York, NY, United States, and have 1 advertising & marketing contacts listed on Kochava.

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