Wolfgangs-Vault-Advertising-Reviews-Pricing
Capabilities
  • Desktop Display
    • Brand Integrations
      Yes No
    • Sponsored Posts
      Yes No
    • Native Ads
      Yes No
    • High-Impact (Takeovers, Billboards, Overlays, Sliders, Skins)
      Yes No
    • Rich Media (Expandable & Non-Expandable)
      Yes No
  • Desktop Display
  • CPM
  • Web Publisher
  • Headline:
    Publisher: Rock memorabilia, Concert Posters, Concert Photos, Rock T-shirts, Apparel and more
  • Key Differentiator
    The live music experience reached a new level of interaction with the arrival of the modern rock concert. In the 1960s, performers, artists and promoters shaped a synergy with audiences that was unprecedented. The promotional art inspired by the performers, the intimacy of the venues and the energy of the audience all combined to create experiences that are indelible in the minds of those who were there. This era was the true genesis for the years of great concert art that followed, as rock concerts evolved from their dance hall roots to the clubs, arenas, amphitheatres and stadiums of today. Wolfgang's Vault Wolfgang was Bill Graham, the man whose genius for bringing performer and audience together shaped the rock concert as we have come to know it. Born Wolfgang Grajonca in Berlin in 1931, he escaped Nazi Germany to grow up in a foster home in the Bronx and anglicized his name at the age of 18. Bill Graham, who would come to be known as the midwife of the modern rock concert, was smart and forward-thinking, an opportunist and a listener, fair and ferociously demanding, and he remembered his roots: in the 1980s he opened a small San Francisco club and named it Wolfgang's. Wolfgang's Vault Graham's creative vision led him to commission true works of art to promote his shows and, fortunately for the modern collector, his entrepreneurial instincts led him to overprint and preserve the exceptional art, photography and recordings that came from these shows. For over 30 years, his company accumulated and stored this material in newly minted condition. Until Wolfgang's Vault, if you could even find a Bill Graham Presents poster, it was frequently in less than mint condition because it was torn from walls or telephone poles as a concert souvenir. The vast majority of material in Wolfgang's Vault comes from the exquisitely preserved, original archives of Bill Graham Presents, which we now own and manage. Beginning with the seminal concerts of the mid 1960s and continuing through today, we've assembled a superb collection that is being cared for in state-of-the-art facilities. We have only begun to mine the depths of the Vault. We opened in October 2003 with our unparalleled collection of Poster Art and added our extraordinary vintage t-shirts, backstage passes, laminates and books shortly thereafter. In 2004 we released the BG Archive photography collection, and since then we have become the exclusive online source for four of the greatest rock photographers of all time: Baron Wolman, Michael Zagaris, Joe Sia and Gene Anthony. The Vault is constantly undergoing exciting changes and developments. We've expanded our apparel line to include infant and kids wear. Concert Vault, has brought the depths of the Bill Graham archive, the King Biscuit Flower Hour and a growing number of other audio archives to hundreds of thousands of listeners. The introduction of Big Ticket grants collectors access to a pristine and extremely rare collection of poster art that's not available anywhere else. We are regularly introducing fresh new product lines and special features like wrapping paper and poster reprints. The Vault continues to grow and evolve, with updates and additions constantly improving the look and function of our site.
  • Owned / Operated Properties
    wolfgangsvault.com
Site Traffic
  • 828247 Global Rank
  • 250523
    United States
  • 115k Estimated Visits
Traffic Sources
  • Search
    85.26%
  • Direct
    10.19%
  • Referrals
    3.12%
  • Social
    1.43%
  • Mail
    0.00%
  • Display
    0.00%
Geography Breakdown
  • United States
    28.71%
  • Russia
    12.86%
  • Brazil
    9.17%
  • Spain
    5.78%
  • France
    5.09%
Powered by Similar web
Network Data
Country Breakdown
  • Canada
  • France
  • Germany
  • United States
  • United Kingdom
Desktop Display
  • 84.2k display total monthly uniques
  • 498k display total monthly impressions
Mobile Display
  • 20.3k mobile total monthly uniques
  • 166k mobile monthly overall impressions
65%
iOS
35%
Android
60%
Phone
40%
Tablet
Audience Demographics
48% male
52% female
Age
18
15%
18-24
5%
25-34
5%
35-44
15%
45-54
45%
55-64
10%
65+
5%
Income
$0k-$50k
25%
$50k-$100k
45%
$100k-$150k
20%
$150k+
10%
Education
No College
30%
College
50%
Grad School
20%
Reviews
Online Marketing Manager
Feb 15, 2018
San Francisco
Desktop Display, Mobile Video, Connected TV, Best Pricing
Review of Advertising on Wolfgangs Vault, they have a Rate Card Cost and Pricing Models of CPM with ad inventory in countries such as United States, Russia, Spain, France, Canada, Germany, United Kingdom. Great at targeting and inventory is accessible in programmatic ad exchanges. Will use them again whenever I am looking for a Managed Service and Self-Service solution of Web Publisher.
Online Marketing Manager
Feb 17, 2018
San Francisco
Desktop Display, Mobile Video, Connected TV, Best Pricing
Review of Advertising on Wolfgangs Vault, they have a Rate Card Cost and Pricing Models of CPM with ad inventory in countries such as United States, Russia, Spain, France, Canada, Germany, United Kingdom. Great at targeting and inventory is accessible in programmatic ad exchanges. Will use them again whenever I am looking for a Managed Service and Self-Service solution of Web Publisher.
Online Marketing Manager
Feb 18, 2018
San Francisco
Desktop Display, Mobile Video, Connected TV, Best Pricing
Review of Advertising on Wolfgangs Vault, they have a Rate Card Cost and Pricing Models of CPM with ad inventory in countries such as United States, Russia, Spain, France, Canada, Germany, United Kingdom. Great at targeting and inventory is accessible in programmatic ad exchanges. Will use them again whenever I am looking for a Managed Service and Self-Service solution of Web Publisher.
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Creatives